*ついに登場、グラム真正面剛速球コンピ、その名もグラム・グレーツ・シリーズ。６月７日に第２集まで発売されます。発売元はCrimson Productionsてとこ。新しいレーベルか６月からクラシック・ロックのコンピをどわっと出してくれる。他にも面白そうなのが一杯なんで楽しみ。さてこのコンピ、もう全くカルトで無くて素敵。今まで最強のグラム・コンピつうとヴァージン・ＴＶのベスト・エヴァー・グラム・アルバムだと思ってましたけどすぐ入手難になっちまったしもう一つダイナマイトとゆうのもやばそう。Velvet Tinmineとゆうカルトなやつが新しくて即入手可なれどこれでは竹之内、真弓のビデオは有っても王、長島のビデオが見れないつう妙な具合に。何たって混ぜて聴くのが楽しいグラムポップですけん待望です。これから３，４と続いたらいいな。残念なのが値段が高いこと。なぜでしょう。流通の問題でもあるのか。もう少し待てば安くなるかな。廃盤に即なっちゃたりして。世の中理不尽。ご存知の方もおられるかも知れませぬ。今月号の某レココレ誌がグラム特集、まさかそれに合わせたつう訳で無く、きっとこころっくすのために違いない。がはは。うちでは自力で片っ端から曲集めるもぼろぼろのアナログから取ったやつとかも多いからなあ、だぶりまくってもどうしよう。欲しいんだけど。そのレココレ、とくと拝見いたしました。日本発の真実のグラム・ロック特集って書かれちゃあ見ない訳にはまいらぬ。力作で何か卒論読んでるみたいでちと苦笑。グラムで卒論〜。なわりにデータが例によって少なく論より証拠じゃ無くて証拠より論かよ。そうなると己の論に事実を強引に引っ張って来ちゃってそりゃまずいんじゃないか。変だなあと思うとこ多々有り。まず欧米の現地のグラム感と日本のが違うんじゃ無いかと力説なさってたけど、別に違っててもそりゃ構わないと思う次第。何も向こうに合わせる必要も無く日本つうより各人でそれぞれ勝手に思ってたってそれは自由だもんな。でも問題なのはデータとか音が揃ってて自分で選んでグラム像を思う描くんじゃ無くて限られた情報でそうせざるを得なかったってこと。それをやったのは日本の洋楽ロック・マスコミで、いわば責任は自分たちにあるのに、まー他人事のように。ネット時代の今になって生のチャート・データとか初めて見れるようになってびっくりしてるのはこっちです。それなのにまた証拠より論で新たな刷り込み計ろうとしてのかー。いつも言わせてもろうてるけどお金貰って時間かけて調べることの出来るロック雑誌の方には生のデータ提示を頭に持って来て欲しいぞ。それ見てこっちは勝手に判断するから。読ませて貰って肝心なことはいまだわからずじまいで。例えばケニーでギター弾いてるクリス・レイ氏について「クリス・スペディング氏との説有り」と書いてありましたけど、この方、全然音楽違うリンジー・ディ・ポール嬢のアルバムでも大活躍してるんだよな。スペディング氏のギターってかなり個性があるんで目が点に。何故変名にしなきゃあかんかったか。もしや水戸黄門の脚本書いてる「葉山彰子」名義みたいに複数おるのでは無いかと疑ってるんだけど。印税じゃなくて取っ払い仕事の時に使うとか。「説有り」とか書くだけで噂が本当になっちまいますからそこはちゃんと調べて欲しかった。素人が何アホなこと言ってるとか思うのならやっておくんなんまし。それとベイ・シティ・ローラーズのサタデイ・ナイトがルーターズのレッツ・ゴーのパターンをパクっててそれがグラム・リズムの元になってるんじゃ無いかつう論。これカーズのレッツ・ゴーでもお馴染みのあのチア・ガール応援リズムなんだけどそれだけで全部そうかつうとそんな単純なものでもあるまいに。ボケーっと英国チャートの曲、聴いてるだけで、モータウンの宴会手拍子リズムがとにかくイギリス人は好きなんだなあとかロックンロール、ブギはもう自分達の音楽だと思ってるんだなとかロックも進んじゃって一緒に歌えて尻出して騒げる音楽が欲しかったんだなとか、それはグラムの前からちゃんと有ったんだけど長老のアレクシス・コーナー氏のＣＳＳとか仲間若手のボランはんがきっかけを作ってくれたんでもっと騒げるようになったとか、もっともっと騒げる種探してアフリカのブルンディ・ブラックまで引っ張り出したとかＳＦも好きとか、もう整合性などあるんだか無いんだか、そのぐっちゃんぐっちゃんなとこが魅力なんですから。当時の事件、記事とかカルトなとかだったらチャートの下位を見せてくれたりして欲しかった。してくれなかったから興味が有るんなら自分で調べるしか無いか。他人を当てにしてはいけないな(^0^)。はい。それとチニ＝チャプとかプロのプロダクション・チームが綿密なマーケッティングの元、「作りこまれていった」つう記述もどうも。白けるなあ。そりゃこうしてみたいてのはあったと聞いてますが、無きゃ作れん、作りこまれたつう割には穴が大有りで。そのお間抜けなとこもグラム・ポップの魅力なのに。自分じゃ歌わない曲作りのメンバーが例えばスイートならスイートに加入して音楽を作ったって思ってます私。それだけ個性があります。世間に合ってようと合ってまいと自分でもどうしょうもならないほどの。
沢山のノリがいい人達が参加して大いに盛り上がったこのグラム祭。正体何と無くわかるようで、さっぱしわかんないけどそれでいいような気が。音楽だからねえ。論より楽しむが先だな。
(山)2005.4.1
http://rocks.studio-web.net/glam/glamgreats.html
http://www.amazon.co.jp/exec/obidos/redirect?path=ASIN/B00005B8C6&link_code=as2&camp=247&tag=rockalbumsgre-22&creative=1211
http://www.amazon.co.jp/exec/obidos/redirect?path=ASIN/B00005KCCR&link_code=as2&camp=247&tag=rockalbumsgre-22&creative=1211
http://www.jpc.de/jpcng/home/detail/-/hnum/2610768/iampartner/d58
BY YAMA
BY AUTO TRANSLATION
SORRY,Mistranslation multi.
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