*パンクの時代に南国からのキツイ一発。レゲエ界の鬼男リー・ペリー氏の78年作「焼き魚コリー雑草とトウモロコシパン」です。美味そうなんだかわかりません料理タイトルなんですが、喰ったら大変、喰う前から大変だな。臭いがクサヤです。我が家の家宝のジャマイカ盤かつ最も怖くて恐ろしい音楽が入ってる盤。怖いつうのはホラーの怖いです。木の芽時に聴きますと確実にどーんと素敵な五月病になるので注意。今ならまだいいか。それでも繰り返し聴くのは危険だな。それほど人の情動に強烈に入り込んでくる。何しろ本人が・・・ジャケで白い歯見せて笑ってるけどよう・・・既にあちらの世界に一歩入り込んでまして。ペリーさん。ジャマイカ・ダブの第一人者です。ウエイラーズのジャマイカ時代のプロデューサーとして、クラッシュのコンプリート・コントロールの何もしなかった（ただ会いたかっただけ）のプロデューサーとして有名な方。ダブ第一人者ながらあまりに個性が強くて後継者、模倣者が出ず一人で突っ走ってました。その頂点がこの78年前後。自らのスタジオ、ブラック・アークで魑魅魍魎の生産極まり、出した２枚のうちの１枚がこれ。もう一枚は「超人猿の逆襲」。あまりに自分の音世界に入り込んでしまってこの後ついに発狂、スタジオに火をつけて遁走してしもた。腹話術師の人が芸極まると人形の人格と二つに別れてつうホラーがあるけど正にそんな状態の音楽かも。このアルバムの怖さはその種類の怖さで、まあ何も好き好んでそんなん聴かなくてもいいようなものだけど、それがあまりに魅力的だから困っちゃう次第で。ここまで追い求めてきた得意技の完成形が全て入ってます。ガラスが砕けて飛び散る音スローモーションでキラキラ光りながら。雪男だか猿だかアンドレ・ザ・ジャイアントだかわからん獣の鳴き声、人だか宇宙人だかローズマリーさんのだかわからん赤子の声、キメで一発カウンター・パンチのシンバル・クラッシュしかし半分速度その瞬間時間軸が捻じ曲がり、油刺して無いようるさいなこのドアの丁番しめたこれ使える、などがそれはもう執拗に挿入されてる。曲自体は明るいんです。妙に。本人もそりゃもう楽しそうに歌ってましてバンドものりのり。ところが親分筆頭によく見りゃ人間の目をしてないよ。もしかして悪魔と取引して獲得したのかこの音楽は。後半、Ｂ面部分になりますと静かに確実に火を付ける精神状態に向かっていることがひたひたと感じられ、誰か・・・誰かおらんか、お父さん何してるんですレコード割っちゃいけませんお父さんってこっちもそんな状態になっちゃったら。どうします聴きますかこんなレコード。遥か遠くの世界の音楽なんでまるでわかりません人事ですって思えればまだ楽なんだけど・・かなり感覚的に何故かわかっちゃうから性質が悪し。聴いちゃうんだやめときゃいいのに。
(山)2005.10.17
でかいジャケットのページ
入手先参考（試聴はこちらで）
by Yama
BY AUTO TRANSLATION
SORRY,Mistranslation multi.
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